The choreography is conceived specifically for a space with the kind of volume and length found in the entrance hall of Cukrarna; here, the row or line can be clearly delineated, unfold, develop, bend, stretch and contract, ignite and calm down.

On one side lies the rigor of a pure line; on the other, the complexity, wildness, and cunning of movement languages and articulations that will voluntarily interlace with and follow one another, intertwining constantly, while winding themselves into an inwardly intricate yet outwardly simple purity of a single line. The aim is to capture that paradoxical moment between complete liberation and strict discipline—a moment into which the living, thinking, and dancing being is always fatefully caught. Some of this paradox, the kind that extends into our broader contemporary life, may also be hinted at in the title: In Excellent Order.